The various components of the program aim to encourage a critical perspective on the impact of human actions on the preexisting balances of natural ecosystems. The contents provided tools for analyzing current situations, reviewing their evolution over time and proposing possibilities for action in everyday life to transform them.
The strategy was built in alliance with specialists who propose multidisciplinary perspectives from biology, permaculture, linguistics, anthropology and art. The programs are implemented in the Santa María la Ribera neighborhood as well as in other territories, collaborating with local initiatives such as Na Bolom in San Cristóbal de las Casas (Chiapas), Neanch Collective in San Mateo del Mar (Oaxaca), as well as through alliances with community agents in tsotsil-, wixárika-, ombeayiüts- and purépecha-speaking territories, among others.
Exhibition: Colibríes / huitziltin / ts’unu’uno’ob
Dates: December 2019 to March 2020 (Due to the Coronavirus pandemic, visits to the exhibition were stopped early on March 13)
Location: Geology Museum
Research by: Dra. María del Coro Arizmendi Arriaga and M. in C. Claudia Rodríguez-Flores
Artists: Vanessa Rivero, Jimena Schlaepfer and Benjamín Torres
Educational program: Cecilia Pompa
Participants: A total of 650 people, from 5 to 67 years of age. Guided visits were offered for neighbors, students and teachers from schools in Santa María la Ribera: as well as for students and teachers of schools in Santa María la Ribera: Elena Zapata Preschool, Pensador Mexicano Elementary, Ezequiel Chavez Elementary, Moisés Sáenz Junior High School, La Luz Metropolitan School, CECATI 162
The exhibition Colibríes / huitziltin / ts'unu'uno'ob (which translates as Hummingbirds in English), is a platform for presented as a platform for critical reflection on the relationship that humans have with fauna, specifically with one of the most emblematic birds on the American continent: hummingbirds.
The exhibition takes its name from the Náhuatl and Mayan words for hummingbird. Taking up these words means an acknowledgment of the relevance of these birds, whose diversity not only represents the richness of the biological balance and the American ecosystems, but also an outstanding cultural heritage for its population.
The show incorporates an investigation of Dra. María del Coro Arizmendi Arriaga and M. in C. Claudia Rodríguez-Flores, biologists who specialize in hummingbirds and have over twenty years of experience researching the subject. The exhibition also presents works commissioned to Mexican artists Vanessa Rivero, Jimena Schlaepfer and Benjamín Torres, created specifically for the exhibition.
The exhibition period at the Geology Museum allowed school groups and neighbors to experience educational activities related to the subject. Invitations to neighbors are sent through Facebook, printed flyers and via WhatsApp. In the case of schools, Casa Gallina reaches its directors and teachers after linking the topics covered in the exhibit with subjects covered in the classrooms, such as environmental science, art, chemistry, and so on.
Guided visits were adapted to the group's profile, for example, if it was a group of neighbors the activity was to map spaces within the neighborhood that could potentially be transformed into hummingbirds gardens; if it was a school group, children would wrote messages on banana leaves that would be converted through an origami exercise into a hummingbird.
On numerous visits, participants expressed that this exhibition had shown them how directly connected daily human life is to species conservation, they commited, for example, to plant flowers on their balconies to help hummingbirds eat and pollinate, as well as exploring the possibility of installing hummingbird gardens in their common areas. Some teachers requested extra material on the topic in order to deepen the knowledge on hummingbirds and daily life during their classes; school principals expressed interest in creating hummingbird gardens in their schools. These result show that the activities within the exhibitions have the potential to become interventions guided by the community and do allow a constant circulation of knowledge.
In the framework of the COVID-19 pandemic, the exhibit had to close and suspend all previously scheduled visits. However, there was enough time to create a visual record of the work and design a virtually guided visit, which includes some of the activities carried out on face-to-face visits. It can be viewed here:
Book: Constellations: A Manual for Collective Mapping
Written content: Brenda J. Caro Cocotle
Illustrations: Joze Daniel
Translations: Rubí Celia Huerta Norberto (purépecha), Juan López Intzín (tsotsil), Neanch Collective (ombeayiüts), Armando de la Cruz (wixárika)
1000 copies in Spanish, 500 in Tsotsil, 500 in Obeayiüts, 500 in Purépecha and 500 in Wixárika
Allies: Neanch San Mateo del Mar (Oaxaca) Collective, Native Peoples Youth Collective and Indigenous Youth Network
Constellations is a manual that was born out of an initiative of generating critical knowledge tools and interactions between communities and their territories. The contents were developed from the 2015 collaboration between Casa Gallina and Los Iconoclasistas, Julia Risler and Pablo Ares duo, whose work pioneered the development of methodologies and tools for collective mapping to critically understand territories. The content of this publication generates available tools for collective work, improving the resources available for the diagnosis of everyday problems and concerns of community life. The material is especially aimed at knowing and understanding the processes that threaten the territory and traditional practices of coexistence with the natural environment.
This publication will be distributed and activated with organizations, groups and community leaders throughout the country who hold a body of social work that would be extended using this tool. They will be able to identify common ground, analyze it and address the problems attached to their territory from various perspectives.
The profile of these projects has a crucial component of openness, that is, they are open organizations, which bring community members together at public spaces. Often the resources available for this sector are scarce; with this in mind, the publication includes alternatives that help adapt to the resources available in any setting, keeping its focus on enhancing critical observation of the social aspects that threaten universal access to the common goods necessary to preserve harmony with nature.
Extraordinary Ecological Stories Workshop: The City.
Date: February 8, 2020
Facilitated by: Juan Luis Delgado
Participants: 22 neighbors
In this workshop, children between three and seven years old, accompanied by family members, toured the house entirely under the guidance of neighbor, storyteller and history promoter Juan Luis Delgado. He spoke to them about how human beings established a perimeter of distance between their habitat and the rest of nature, which has expanded as societies developed from villages to big cities. In the community garden they picked carrots to visualize the physical transformations that occurred; in the classroom they tackled—through body expression dynamics—curiosities found in cities throughout history; in an illustration on the wall, they played a game locating elements (animals, vegetation, monuments and places) within Mexico City. Finally, they carried out a relaxation and sensitization exercise that consisted of a blindfolded exploration of the plants on the rooftop, in order to concentrate on sounds, aromas and textures.
Origins: From the Cosmos to the Earth Workshop
February 22, 2020
Facilitated by: Mariana Paredes
Participants: 35 neighbors
In the Origins: From the cosmos to the Earth, children discussed the main scientific theories regarding the origin of life on Earth, collected minerals from the Casa Gallina garden to analyze them in a microscope searching for traces of stardust, and made collages to create their own living beings, assigning them biological characteristics as well: the type of food they eat, mobility and symbiotic relationships with other organisms.
Board Game for Children: I Recreate the City
Date: May 2020
Location: Schools in Santa María la Ribera
Artist: Javier García Silva
Written content: Javier García Silva, David Hernández
Illustration: Jimena Estíbaliz
Design: Karina Oropeza
Allies: República de Cuba Elementary School, Ezequiel A. Chavez Elementary School
Participants: Children from 8 to 12 years old.
I Recreate the City is a board game for children in elementary school designed by artist Javier García Silva, which seeks to provide children with a reference model that allows them to approach and better understand the tensions between nature and urban sprawl. The plot of the game is that the children play characters, half human beings and half living beings endemic to the Valley of Mexico, whose mission is to live in the city. As a team they must face human actions that accommodate for an irrational growth of the city; thus allowing their "natural half" to coexist in harmony with their "human half". In I Recreate the City, children do not compete with each other, but must defeat the titans who are represented by consumerism, deforestation, cars, excessive industrialization, garbage and concrete. This game will be distributed in primary schools in order to collaborate with teachers and educators, while using it as grounds to develop pertinent environmental education programs.
Sparrows, Hummingbirds, Doves and Other Neighbors with Wings and Feathers
Date: February 29, 2020
Facilitator: Ubaldo Márquez / Tótotl, Aves y Medio Ambiente, A.C.
Participantes: 12 neighbors
Birdwatching carried out in the Santa María la Ribera grove, which served to observe other, less common species of birds such as the rock wren, Harris falcon, American robins, larks, the curve-billed thrasher and the Berylline hummingbird, in addition to grazers, sparrows, pigeons and turtle doves. The visit was complemented by a conversation between neighbors, which revolved around identifying the characteristics of the city that force endemic varieties of the region to be displaced and remain out on on the edge of the city. In the case of the birds that cross it, their adaptability to our habits and ways of life was analyzed, the discussion also included how we can benefit birds’ adaptability within our daily habits and practices, while allowing them to develop alongside us.
Our Ecosystem: The City
Date: May 20, 2020
Coordinates: María del Coro Arizmendi Arriaga and Claudia Rodríguez-Flores
Participants: 81 people connected to the live broadcast and more than 1,000 subsequent reproductions
Format: Facebook Live
The biologists María del Coro Arizmendi Arriaga and Claudia Rodríguez-Flores, researchers in charge of the UNAM hummingbird monitoring station, discussed the surprising complexity of relationships between living things in the city and how, by understanding them, we can contribute to the delicate balance that sustains them. They delved into the importance of acting in a safe and intelligent way in order to improve the conditions for hummingbirds and other birds that inhabit Mexico City, inviting the audience to be aware of the need to reconnect with nature.